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CONCERTO FOR ACCORDION AND ORCHESTRA IBD

BEARMANOR MEDIA
09 / 2025
9798887718354
Inglés

Sinopsis

The Concerto for Accordion and Orchestra was commissioned in 1986 by the American AccordionistsâÇÖ Association as a test piece for the 1987 Coupe Mondiale competition. In three movements, the free-bass composition explores the diverse technical capabilities and tonal colors of the accordion in the context a dialogue between that instrument and a symphony orchestra. The first movement, Fantasy, is a freeform construction, improvisatory in nature that makes great technical demands on the performer, the second movement, Nocturne, is a simple arioso designed to feature the cantabile ability of the instrument, and the third movement, Caprice, is a playful, rondo-like scherzo that incorporates motifs from the two earlier movements in a virtuosic display.The Concerto was published in 1986 by Ernest Deffner Publications in a reduction for accordion and piano. In a preface to that publication, Faithe Deffner, the President of the American AccordionistsâÇÖ Association, wrote:'John FranceschinaâÇÖs Concerto for Accordion and Orchestra is a noteworthy addition to the literature for our instrument, resulting from the American AccordionistsâÇÖ AssociationâÇÖs long-term commissioning program.ááááááSince the inception of our organization in 1938, AAAâÇÖs board of governors has supported efforts to enlarge the original music repertory of the accordion. We hold the conviction that the accordion will be perceived as a serious and significant member of the musical instrument family when it can boast a body of original literature, utilizing the many unique musical capabilities of the instrument, in addition to the artistry and technical proficiency which has already been attained by many of todayâÇÖs accomplished accordionists.ááááááThis new work addresses the accordionistsâÇÖ need for orchestral music which will highlight the instrument. We believe that concert accordionists will find this Concerto to be an excellent vehicle for our instrument.ááááááOur thanks to the very talented composer, John Franceschina, for an outstanding composition.'The present edition of the Concerto makes available, for the first time in print, the full orchestral score.John Franceschina, composer, has created scores for the National Shakespeare Company and the Provincetown Playhouse in New York City, the Mark Taper Forum in Los Angeles, the Coconut Grove Playhouse in Miami, BaltimoreâÇÖs Center Stage, WashingtonâÇÖs FordâÇÖs Theatre and the Arena Stage, the Pittsburgh Public Theatre, Cleveland Playhouse, Florida Studio Theatre, Geva Theatre, Syracuse Stage, Papermill Playhouse, Music Theatre Works, and the Moscow Art Theatre, in addition to the Asolo State Theatre in Sarasota, Florida, where he acted as composer-in-residence from 1976 to 1993. HisáFanfare for the Fiftietháwas commissioned by Philippe Entremont for the fiftieth anniversary of the New Orleans Symphony Orchestra in 1985, his secular oratorio,áHoutebeen, for male chorus, string orchestra and accordion ensemble, toured the Ne

PVP
24,55